Reader-facing articles — how we want them written
Purpose: Define article voice for paradigm-threat-files—the Markdown siblings of investigations/ dossiers and other long-form files—so assistants and authors match Paradigm Threat expectations. Pair with PARADIGM_INVESTIGATION_INSTRUCTIONS.md (dossier structure, evidence tiers, Limits) and LINKING_AND_SITE_PATHS.md (URLs).
URLs (same as blog entries)
Published reader-facing articles (parent-folder …/*.md essays under influence/, science/, history/, etc.—the pieces that ship like site pages) use the same link convention as blog/*.md posts: every in-repo target is an absolute public URL on https://paradigmthreat.net/..., including § anchors and images under the article’s site subtree. Do not use root-relative markdown links like (/influence/...) or repo-relative asset paths in those files.
Investigations, hub page.md indices, and internal docs may keep root-relative links unless a file is being promoted to “article” behavior.
Article vs dossier (division of labor)
…/investigations/*.md (dossier) | Parent-folder …/*.md (article) |
| Tables, long quote banks, FOIA chains, Limits, Investigator notes, granular TODOs, Q rows, §4 open-claim registries, tier labels, “speculative / documented / legal analogy” splits. | Readable essay: stakes, flow, and enough links to enter the dossiers—not a second investigation file. |
| Home for heavy caveat language: what is proven vs guessed, what is rhetoric vs docket, fiction vs evidence, assistant bias. | Light touch: trust the dossier for that machinery. Do not paste investigation-style stacks into the running narrative or pepper mid-section caveats (“not every specialist,” “this is not a claim that…,” “scholars dispute…”) through every ##. If honesty or scope boundaries matter, collect them in one dedicated ## Framing and limits (or ## Scope and limits) after Where next and before Keywords:—or link once to the dossier Limits anchor and skip in-file caveats entirely. |
| Guide (read order) for very long files. | Optional short “where next” at the end; the body should read in order without a map unless you deliberately want a mini-guide. |
If a claim needs five citations or a multi-row table, it belongs in the dossier; the article names the claim and links once (often to a § anchor).
Default: Articles state stakes and thesis clearly—clinical but inspired (precise, unsentimental, still alive); investigations hold the audit trail. When in doubt, cut the paragraph that sounds like Limits and add a link: “the careful version lives in Limits.”
Reader-facing prose (generic surface)
Articles are written so they can be republished or read off-site without sounding like internal documentation.
- No project or repository meta in the body: Do not name the hosting project, the codebase, or “the repo.” Avoid phrases like in-repo, this tree, our investigations, Paradigm Threat (and close synonyms) in running prose. Use neutral formulations: “this reading,” “the argument below,” “linked notes,” “supporting write-up,” “technical companion piece.”
- Links: In article bodies, use absolute
https://paradigmthreat.net/...URLs for every internal page and image (same asblog/). Describe targets by topic, not by filing system (“see the linked DNA blueprint critique,” not “see our biology dossier”). - First person — personal lane only: Use I / me / my only for personal experience, direct memory, or explicit personal stance the reader should attribute to a human speaker. Keep theory, history, and physics claims in neutral / documentary third person (“this model holds…,” “the record suggests…”).
- Neutral ≠ timid: You may still write hard thesis and manifesto cadence; just separate voice (optional I) from content (documentary).
Theory-led pacing (default for parent-folder articles)
Parent-folder reader essays are thesis vehicles, not primers. They may read as strong manifesto when the topic demands it.
- Lead with the unified theory: Open with the cross-cutting claim and its stakes. Do not bury the thesis under throat-clearing. Intelligent readers can handle a sharp fork on page one.
- Heavy proof stays in companion files: Multi-citation blocks, tier labels, and long Limits machinery stay in
investigations/(or equivalent technical write-ups). The article points; the companion prosecutes. - Pacing: Short
##sections, one main idea each, momentum over repetition. - Sensitive targets: When the author requests it, use structural / institutional framing (doctrine shapes, incentives, schooling) rather than naming modern groups—unless the author explicitly wants names.
- Honesty without dilution: When caveats are necessary, do not weave them into each section—that trains the reader to expect retreat after every claim. Prefer one consolidated
## Framing and limits(or## Scope and limits) block after Where next, beforeKeywords:; keep the body declarative. Alternatively, one sentence plus a Limits link can suffice. Do not use caution as a substitute for clarity.
Reference implementation for generic surface + theory-led shape: science/biology/circle-of-life-and-how-it-began.md.
Voice (who we are writing for)
- Documentary default: Prefer a documentary voice first—direct, factual, and scene-forward without constant speaker framing. Use first person only when personal experience, memory, judgment under uncertainty, or stakes genuinely require it. Do not write “the author.” Stack with Reader-facing prose (generic surface) above for project-agnostic body text and the first-person-only-for-personal lane.
- First person is selective, not constant:
I / me / myis valid when it adds signal (e.g. eyewitness memory, explicit personal inference), but avoid leading every section with self-reference. Rewrite default lines in documentary style when possible.- Bad (over-framed): “I still think in radio.”
- Better (documentary): “Radio offers a useful model for layered signal bands.”
- Use first person when earned: “I first noticed this pattern during …”
- Drop “this essay / this piece”: Prefer direct claims; use I only when earned. Phrases like “this essay will show,” “in this piece we,” or “what overlaps for this essay” read like syllabus metal—cut them unless a single signpost truly helps.
- State the claim — drop the frame: Prefer direct sentences over meta-leads. Bad: “My hard moral read stays blunt: Polynesian continuity was interrupted.” Good: “Polynesian continuity was interrupted.” Let syntax carry most of the weight, not a running commentary on your own stance.
- Bold — emphasis or new terms only: Use
**bold**for (1) real emphasis (one beat per sentence or so—a contrast, a risk, a hinge you need the eye to catch), and (2) new terminology the article introduces or defines for this read (first pass; often plain text on repeat). Do not bold every proper noun, institution, date, or ordinary stressed word—that reads as sparkle fatigue and fake dossier layout. When in doubt, remove the bold. - Register — clinical but inspired: Default to cool, exact prose that still lands the point—tight claims, clean images, no purple grief-as-genre layering. Drive the argument home with structure and consequence, not with repeated mourning or elegy cadence unless Ari explicitly wants a lament piece. Moral heat is fine in short controlled bursts; let evidence links carry weight alongside tone.
- Preserve Ari’s intensity and intent (hard rule): When Ari provides sensational, high-voltage, or accusatory claims, do not silently downgrade them into bland institutional prose. Keep the core charge, stakes, and emotional vector intact. You may tighten wording for readability, legal safety, or structure, but only if the primary intent is unchanged. If a sentence must be softened, preserve force by pairing it with explicit stakes (who is harmed, what is controlled, what is lost).
- No accidental de-fanging during cleanup: Editing passes for “neutrality,” “de-LLM,” or “documentary voice” must not erase load-bearing claims (e.g., suppression, controlled opposition, surveillance, corruption, coercive lock-in). Prefer: (1) keep claim strong in body, (2) move caveat machinery to
## Framing and limits, (3) link to dossier for heavy evidence. - Author-supplied sentiment is first-class: If Ari gives direct language in chat, preserve it where possible (short quoted block or close paraphrase) before adding assistant synthesis. Do not replace high-signal claims with abstract summary labels.
- Intelligent reader — no hand-holding: Assume the audience already grasps why these topics matter. Skip “you might be wondering,” over-explaining basics they have heard before, and tutorial pacing unless the article is explicitly introductory. Do not soften or repeat the same caveat in three forms; trust the reader to follow and to use the dossier links when they want machinery.
- Audience: A curious lay reader—someone who will not read fifty pages of apparatus on first visit. Plain English, complete sentences, human rhythm (vary sentence length; avoid encyclopedia monotone).
- You / we (optional): Second person can substitute for first-person framing when it improves readability (“you can see this in…”) and inclusive we can frame shared situations. Keep both restrained; documentary voice remains default, and every paragraph should advance something or point to evidence.
- No cartoon villains: Prefer structural language (“schooling,” “press posture,” “museum caption,” “funding stack”) over sentences that imply every individual scientist intends harm. Name power and pattern; if documented intent matters, the dossier carries the receipts.
Shape (how we open and move)
- Title — concrete; may use em dash or a strong image. Keep slug/path stable unless Ari explicitly requests a rename (URLs depend on paths).
- Subtitle (required) — add one short line immediately under the
#title (before any hero image), summarizing the thesis in plain reader language. Aim for one sentence fragment or clause (roughly 8–20 words), no ending period, no markdown heading marker (##), and noTL;DRlabel. - Optional hero image — immediately under the subtitle,
https://paradigmthreat.net/...image URL (same asblog/), short alt that matches the article’s central image or claim (not only mood). - Hook — a scene, metaphor, or one sharp anecdote before the reader hits dense links. This is the contract: why this file exists before apparatus.
> **TL;DR:**— optional in articles. Use it when it adds a clean thesis line without cloning the dossier’s opening or sounding like a second investigation header. Skip it when the title + subtitle + first two paragraphs already do that work.- Body —
##sections (typically three to seven). Each section one main idea. Bold only per Voice → Bold (emphasis or newly introduced terms)—not as default highlighting. - Citations in prose — Inline links as
https://paradigmthreat.net/...(and externalhttps://...), same convention as blog posts—not bare/history/...paths. Each link: what the reader will find there (one clause). Avoid hub-only link dumps unless Ari wants a routing sheet; prefer narrative + links. - Closing — short “where next”: Common Questions, timeline hubs, or § anchors in dossiers (e.g. “start in §2.1”).
- Optional
## Framing and limits(or## Scope and limits) — At most one such section, placed after Where next and beforeKeywords:, when in-file boundaries help (what is not being claimed, what lives in Limits, consensus vs synthesis). Do not scatter the same hedges through earlier##sections; that muddies the narrative. If the dossier already carries the full caveat stack, a single link line here is enough. Keywords:— one line, Option B (seePARADIGM_INVESTIGATION_INSTRUCTIONS.md):#PascalCasetokens only, no## Keywordsheading.**Last updated:**—YYYY-MM-DDwhen the article changed materially.- Attribution footer (required for new or materially updated articles) — After
**Last updated:**, a horizontal rule---, then an italic one-liner, for example: Written and narrated by Ari Asulin, with drafting and research support from LLM agents. Minor wording drift is fine; keep the name and the fact that LLM tools helped produce the page. That line replaces the need for repeated “as the writer,” “my position,” or “who is speaking” throat-clearing in the body.
Pre-publish pass (easy misses): The line immediately after # Title must be the subtitle (plain text, before any 