Mars Fiction & Nonfiction Literature Survey (19th–20th Century)

Key finding: Before H.G. Wells’s War of the Worlds (1898), nearly all Mars fiction portrayed Martians as human or human-like and benign. Wells deliberately inverted this tradition. The pre-Wells consensus — humans on Mars, inhabited canals, polar zones of power — persisted in pulp fiction (Burroughs, Brackett, Bradbury) but was filed safely under “fantasy” where no institutional authority would take it seriously.

I. Authors Who Described Humans on Mars

These are the most investigatively interesting — pre-Wells, “Martians” were almost universally human or human-like.

II. Authors Who Described Friendly / Benign Martians

Before Wells, nearly all Mars fiction portrayed Martians as benign. Wells’s War of the Worlds (1898) was the deliberate inversion. Authors who preserved the older, benign tradition:

• Percy Greg (1880) — advanced but approachable
• Robert Cromie (1890) — utopian and peaceful
• Gustavus W. Pope (1894) — civilized and welcoming
• Kurd Lasswitz (1897) — superior but benign, protective
• Alexander Bogdanov (1908) — communist utopia, welcoming
• Edgar Rice Burroughs (1912+) — many Martian races, the Red Martians are noble, honorable, and intermarry with the Earth-born protagonist
• Stanley G. Weinbaum — A Martian Odyssey (1934) — friendly, intelligent, non-humanoid Martians. One of the first “sympathetic alien” stories in American SF
• C.S. Lewis (1938) — the Malacandrian species are morally superior to humans; the villain is an Earth scientist
• Robert Heinlein (1949) — Martians are ancient, wise, and essentially guardians
• Ray Bradbury (1950) — Martians are beautiful, telepathic, tragic — destroyed by human colonization (a reversal of Wells’s inversion)

The Wells Inversion

As noted in the paradigm-threat-files Mars page:

Wells’s function was to replace the pre-existing consensus (human, benign Martians) with a new template (alien, hostile, monstrous invaders). Every major post-Wells Mars narrative in mainstream media follows his template, not the older one.

III. Authors Who Described Mars Poles as Forbidden Zones

This is a highly specific and investigatively rich thread.

Edgar Rice Burroughs — The Barsoom Series (1912–1943)

Burroughs is by far the most detailed on this. His entire Barsoom cosmology revolves around the poles as the seat of hidden religious/political power:

• The south pole contains the Valley Dor and the River Iss — the holiest pilgrimage in Martian religion. All Martians are taught that journeying down the River Iss to the south pole leads to paradise. It is actually a trap. Those who make the pilgrimage are captured by the Plant Men (savage vegetation creatures) and the Holy Therns — a white-skinned priestly caste who runs the entire religious fraud from the south polar region.
• The Holy Therns at the south pole believe they are the supreme power on Mars. They are wrong. They are in turn preyed upon by the First Born (Black Martians), a technologically superior race who lives in a hidden compound within the pole and regards the Therns as livestock.
• The north pole contains the hidden kingdom of Okar, ruled by the Yellow Martians, concealed behind a magnetic barrier/force field. The entire plot of The Warlord of Mars (1913–14) is a chase to the north pole to expose this secret kingdom.
• Both poles are forbidden zones — no Martian is permitted to return from the pilgrimage south, and nobody knows the north polar kingdom exists. It is a multi-layered conspiracy where each level thinks it is the top.

Investigative significance: Burroughs describes a planetary system where the poles contain hidden power structures, religious fraud conceals political control, and multiple layers of secrecy operate simultaneously. If this encodes real knowledge about Mars, the poles are where the ruling infrastructure was (or is) located.

Kurd Lasswitz — Two Planets (1897)

Martians establish their presence on Earth specifically at the North Pole. Their polar station is the point of contact between the two civilizations. The pole is the gateway.

H.G. Wells — War of the Worlds (1898)

Wells notes Mars’s “huge snow caps gather and melt about either pole and periodically inundate its temperate zones” — the poles are described as dynamic, powerful, inundation-causing regions.

Total Recall (1990) — Philip K. Dick adaptation

The alien reactor is buried inside Mars, and the corporate rulers (Cohaagen) keep the population from accessing it. The forbidden zone is interior/subterranean rather than polar, but the structural pattern is the same: hidden infrastructure that would liberate the population if accessed.

Leigh Brackett — Various Stories (1940s–1960s)

Polar regions of Mars feature as places of ancient power and forbidden knowledge in several of Brackett’s planetary romances.

IV. Authors Who Described Political Revolution or Civil War on Mars

The Tolstoy–Bogdanov Connection

Both Alexei Tolstoy and Alexander Bogdanov were Russian authors writing Mars-revolution fiction in the immediate aftermath of the 1917 Russian Revolution. Bogdanov was a senior Bolshevik who challenged Lenin on party structure and was expelled. His Red Star (1908) described a communist Mars before the Russian Revolution happened. Tolstoy’s Aelita (1923) described a failed Martian revolution modeled on the Russian one.

Bogdanov died in 1928 during one of his own blood transfusion experiments at the Institute of Hematology he founded. His Mars novel Red Star featured advanced Martian blood science — Martians used mutual blood transfusion as a medical and social practice. The man who wrote about Martian blood technology died of blood technology. Whether this is coincidence, self-fulfilling literary obsession, or something more sinister is an open question.

V. The Disclosure Gradient — Who Knew What?

Not all authors had equal access to truth. The following framework proposes five tiers of exposure:

Tier 1: Intelligence-Connected (Likely Had Access to Real Information)

H.G. Wells (1866–1946)

• Fabian Society insider, intelligence connections, documented plagiarist (Florence Deeks)
• His Mars writings contain specific technical details (heat ray, crystal surveillance, biological caste systems) that go far beyond literary invention
• Function: Inverted the narrative — turned benign Mars into hostile Mars to serve imperial/intelligence interests
• See companion investigations: wotw-martian-civilization.md, wotw-martian-analysis.md, wotw-forbidden-blood.md

Alexander Bogdanov (1873–1928)

• Bolshevik inner circle, later founder of the Institute of Hematology (blood research)
• Died in a blood transfusion experiment — his Mars novel featured Martian blood science
• Either direct disclosure or extremely suspicious coincidence

Tier 2: Institutional/Archival Access (May Have Accessed Suppressed Sources)

C.S. Lewis (1898–1963)

• Oxford medievalist with deep knowledge of pre-Copernican planetary cosmology
• His Space Trilogy encodes the medieval model (planets as living beings with intelligences) as fiction
• His Mars is inhabited, moral, and part of a cosmic hierarchy — the opposite of the Wells/NASA narrative
• Lewis explicitly attacked Wells’s materialist Mars in his fiction
• See content/20.appendix-science-society/20.55.01-historical-antibodies-profiles.md in paradigm-threat-timeline for full encoding analysis

J.R.R. Tolkien (1892–1973)

• Lewis’s close friend and colleague at Oxford
• Their overlapping encoding projects suggest shared access to something
• See the predictive programming literature article for detailed Tolkien analysis

Tier 3: Cultural Carriers (Based on Other Authors + Intuition)

Edgar Rice Burroughs (1875–1950)

• No known intelligence connections but an extraordinary level of specific detail: humans on Mars, multiple races, polar forbidden zones, religious conspiracy, hollow planet interiors
• Burroughs was a failed businessman who suddenly started writing Mars fiction in 1911 — where did the specifics come from?
• May have drawn on Percival Lowell’s Mars observations (canals, civilization) and 19th-century Theosophical/occult literature about Mars
• His Barsoom series is the single most detailed fictional account of Mars political structures in existence

Leigh Brackett (1915–1978)

• Drew heavily on Burroughs and Bradbury; married Edmond Hamilton (another Mars pulp writer)
• Her Mars is consistently inhabited, dying, ancient — the pre-Wells consensus persisting in pulp fiction
• Also wrote the screenplay for The Empire Strikes Back and multiple Howard Hawks films

Ray Bradbury (1920–2012)

• Acknowledged Burroughs as his primary influence
• His Mars is emotional, poetic, telepathic — the “original” benign Mars filtered through literary sensibility
• The Martian Chronicles encodes the destruction of an inhabited civilization by colonizers — a reversal of Wells’s invasion narrative

Tier 4: Pattern Recognition (Noticed Something Was Off)

Philip K. Dick (1928–1982)

• Claimed to have experienced genuine psychic/mystical events (the VALIS experience, February–March 1974)
• His Mars stories consistently feature memory manipulation, hidden truth, corporate conspiracy
• Dick may not have had intelligence access but he recognised the operational patterns: memory erasure, manufactured reality, forbidden knowledge
• The Total Recall premise — your memories of Mars have been erased and replaced — is itself a meta-description of the fiction-as-erasure technique

Robert Heinlein (1907–1988)

• Naval intelligence background (genuinely worked for the Navy in WWII at the Philadelphia Naval Yard — note the overlap with the Philadelphia Experiment timeline)
• His Mars fiction is notably more “realistic” and politically specific than pure pulp
• Stranger in a Strange Land (1961) features a human raised by Martians returning to Earth with telepathic powers — encoding the telepathic capability that appears independently across Wells, Bradbury, Dick, and the Archon Defender/Jeff Wayne narratives

Tier 5: Academic Synthesis (Worked From Published Literature)

Kim Stanley Robinson (b. 1952)

• Academic SF writer with PhD in English
• His Mars trilogy incorporates real planetary science and a sophisticated political analysis of revolution, corporate control, and terraforming
• Robinson likely drew on published catastrophist and planetary science for geological details
• The political structure of Red Mars — First Hundred colonists splitting into factions, Earth corporations attempting resource extraction, Mars independence movement — reads as a synthesis of every prior Mars-revolution narrative

VI. Nonfiction Mars Authors

VII. Additional Authors Worth Investigating

VIII. The Key Pattern — Timeline of Mars Literature

The editorial operation becomes visible when the literature is arranged chronologically:

Phase 1: Pre-1898 — Mars Is Inhabited by Humans

Mars is inhabited by humans or human-like beings. Martians are mostly benign. Mars has canals, cities, civilization. The poles are places of power.

Authors: Greg, Cromie, Pope, Flammarion, Lowell, Schiaparelli, Lasswitz

Phase 2: 1898 — The Wells Inversion

Wells publishes War of the Worlds. Martians become hostile, inhuman, monstrous invaders. The template is set. The benign pre-existing tradition is overwritten.

Key mechanism: Wells was a Fabian Society insider with intelligence connections. As documented (Florence Deeks case), he was a plagiarist who repackaged others’ material. His function was to publish real knowledge as fiction so that the public would treat the information as entertainment rather than disclosure — but in Mars’s case, to redirect the existing consensus from “inhabited by humans” to “hostile alien threat.”

Phase 3: 1912–1950s — The Pulp Preservation

Pulp fiction preserves the older tradition — human Martians, inhabited Mars, poles as forbidden zones, political intrigue — but filed safely under “fantasy/adventure” where no institutional authority takes it seriously.

Authors: Burroughs, Brackett, Bradbury, Weinbaum, Hamilton, Smith

Phase 4: 1950s–Present — The NASA Consensus

Mars is officially a dead rock. All mainstream fiction reinforces: Mars is uninhabitable, going there kills you. Anyone who says otherwise is reading too much science fiction.

Key productions: Rocketship X-M (1950), Total Recall (1990), Red Planet (2000), Mission to Mars (2000), Ghosts of Mars (2001), The Martian (2015), Spielberg’s War of the Worlds (2005) — in which Mars itself was inexplicably removed from the storyline entirely.

IX. Cross-References

Barsoom Clue Indexes

Full-text clue indexes for each Barsoom novel in wget/burroughs/barsoom/: locations, civilizations, species, robots/synthetic beings, history. Assumes content may encode redacted fact; challenges claims of invention.

• princess-of-mars-index.md, gods-of-mars-index.md, warlord-of-mars-index.md
• thuvia-maid-of-mars-index.md, chessmen-of-mars-index.md (Kaldane/Rykor), master-mind-of-mars-index.md, fighting-man-of-mars-index.md

Internal (paradigm-threat-timeline)

• Predictive Programming: Literature as Historical Erasure — the master predictive programming literature article
• Predictive Programming in Film, Television, and Games — Mars film analysis
• Historical Antibodies: Detailed Profiles — C.S. Lewis encoding analysis
• The Mars Catastrophe — the core Mars catastrophe article

Mars Investigations Folder

• wget/wells/massacre-of-mankind-2017-reference.md — Stephen Baxter’s 2017 sequel; heat ray fidelity, crystal egg erasure, sigils, Havana (2016) timeline
• wotw.md — Full text of The War of the Worlds
• wotw-martian-analysis.md — Technical analysis of the Martian invaders
• wotw-martian-civilization.md — Cross-source intelligence dossier on Martian civilization
• wotw-mfee-mars-catastrophe.md — Brandenburg nuclear evidence and MFEE synthesis
• wotw-telepathic-purge.md — Telepathic purge motif across Mars fiction
• wotw-forbidden-blood.md — Blood-feeding as discipline collapse
• wotw-timeline.md — Day-by-day timeline of the 1894–1895 incursion
• death-on-mars-analysis.md — Brandenburg’s Death on Mars (summary; full text not hosted)
• mars-earth-reincarnation-investigation.md — Mars–Earth reincarnation; mass death on Mars, souls reborn on Earth, time-period correlation (open)
• mars-stock-market-correlation.md — Mars/lunar-node correlation with Dow Jones (1896–2020); Ares Le Mandat appendix

External Investigations

• iron-age-of-mars — De Grazia’s catastrophist Mars synthesis

X. Open Questions for Further Investigation

1. Burroughs’s source material. Where did Burroughs get his extraordinary level of specific detail about Mars political structures, polar forbidden zones, and multi-layered religious conspiracy? He had no known intelligence connections and was a failed businessman who suddenly started writing Mars fiction in 1911. Did he draw on Theosophical literature? Lowell’s observations? Oral traditions? Something else?

2. Bogdanov’s death. The man who wrote about Martian blood science died of a blood transfusion experiment at his own institute. Coincidence, obsession, or assassination?

3. The pre-Wells consensus. Where did the original pre-1898 consensus (Mars = inhabited by humans) come from? Was it purely telescopic observation (Schiaparelli, Lowell) and imagination? Or did it preserve an older tradition — perhaps from the Saturnian Cosmology era when Mars was visible in the polar configuration?

4. Lasswitz’s North Pole Martians. Two Planets (1897) places Martian bases at Earth’s North Pole — the same location where multiple esoteric traditions place hidden civilizations, and where anomalous phenomena have been reported. This German novel predates Wells by one year and is far less well-known in the Anglophone world. A full analysis is warranted.

5. The Serviss response. Edison’s Conquest of Mars (1898) — written immediately after Wells — has Martians who built the Great Pyramid and the Sphinx. This connects Mars literature directly to the ancient-builder hypothesis. How much did Serviss know, and where did he get the pyramid connection?

6. Bradbury’s telepathic Martians. The Martian Chronicles features Martians who are telepathic, shape-shifting, and destroyed by human diseases. This combines three independently-recurring Mars-fiction motifs (telepathy, mimicry, bacterial vulnerability). Bradbury acknowledged Burroughs as his influence — but the telepathy is new. Where did that come from?

7. Dick’s memory erasure. The Total Recall premise — your real memories of Mars have been erased and replaced with false ones — is itself a meta-description of the fiction-as-erasure technique. Did Dick consciously understand the operation he was describing, or did he arrive at it through pattern recognition?

8. Wallace’s debunking. Alfred Russel Wallace, co-discoverer of evolution, wrote an entire book (Is Mars Habitable?, 1907) debunking Lowell’s inhabited-Mars thesis. Why? What institutional pressure would cause a naturalist of Wallace’s stature to devote a book to attacking a colleague’s Mars observations?

9. Heat ray adaptation erasure. Wells described the Heat-Ray as invisible, generated in a chamber of “practically absolute non-conductivity” (capacitor-like) and projected by a parabolic mirror. Most WotW adaptations changed it to a visible sci-fi laser. The 2017 authorised sequel (The Massacre of Mankind) kept it invisible—published one year after Havana syndrome (2016) was attributed to directed-energy weapons. Coincidence? Was the sequel’s primary function to re-insert an accurate DEW description under the guise of Wellsian fiction? See wget/wells/massacre-of-mankind-2017-reference.md.

Keywords: #Mars #Fiction #Survey #Nonfiction #Literature #Th